
Harper Collins
Rating: Not 2 Read
The blurb: How did this happen? Georgie York, once the costar of America’s favorite television sitcom, has been publicly abandoned by her famous husband, her film career has tanked, her father is driving her crazy, and her public image as a spunky heroine is taking a serious beating.
What should a down-on-her-luck actress do? Not go to Vegas . . . not run into her detestable former costar, dreamboat-from-hell Bramwell Shepard . . . and not get caught up in an ugly incident that leads to a calamitous elopement. Before she knows it, Georgie has a fake marriage, a fake husband, and maybe (or not) a fake sex life.
It’s a paparazzi free-for-all, and Georgie’s nonsupporting cast doesn’t help. There’s Bram’s punk-nightmare housekeeper, Georgie’s own pushy parent, a suck-up agent, an icy studio head with a private agenda, and her ex-husband’s new wife, who can’t get enough of doing good deeds and saving the world—the bitch. As for Georgie’s leading man, Bram’s giving the performance of his life, but he’s never cared about anyone except himself, and it’s not exactly clear why.
Two enemies find themselves working without a script in a town where the spotlight shines bright . . . and where the strongest emotions can wear startling disguises.
I’m suffering from a deep depression: my favorite laugh-out-loud author has seriously let me down. If you’ve seen What Happens In Vegas, the episode of Friends when Ross and Rachel elope in Vegas, and have the slightest familiarity with the Brad/Angelina/Jennifer soap opera, you already know this story. Worse, the main characters are so horribly unlikeable, I found myself wondering why I was supposed to care.
Georgie is a whiney doormat who constantly tells herself she has to take over her life, but does nothing but follow along for about 200 pages. Bram is a reformed profligate who’s trying to regain his former celebrity status by not letting anyone know he’s cleaned up his act. (Yeah, that’ll get him far…) Imagine a clean and sober Courtney Love still acting like an addict demanding she be given the chance to write, produce, and star in the latest rendition of Casablanca. It would make just as much sense.
Bram and Georgie were teenage stars on a sitcom that was eventually cancelled due to Bram’s sex video. And the constant references to Scooter and Skip (their television characters) made me want to hurl. The two have despised each other from about Season 2 on. Now they meet again several times and wind up married after they become victims of a sneaky drugged cocktail while at a party in Las Vegas. Rather than admit they were stoned and stupid, they decide to stay together for a year and fool the press into thinking the marriage is for real. Even the secondary characters gnaw on your nerves. Chaz is grating and a total waste of what might have been an interesting foil for Georgie. Trevor is the cliched gay friend. Aaron’s transformation, under Chaz’s interference, goes a little too far afield. The romance is incredibly abrupt and too far-fetched to root for Georgie and Bram. And of course, everyone ends up matched in the end. Distant dad, the ineffectual agent, the anti-social housekeeper, the nerdly PA… It’s a regular lovefest.
But not for me. The prose was overdone, the characters too shallow and self-absorbed to be likeable, and the storyline straight out of Star Magazine and People. Most cringe-worthy for me? The constant use of the term, “papps” for papparazzi, which had me thinking of an entirely different visual than I’m guessing Ms. Phillips expected.
There are a few mentions of past characters, which was fun, but their inclusion only made me nostalgic for the SEP of the past, the lady with talent and humor. What a disappointment.
